Description
Yuko Mabuchi, piano
Del Atkins, bass
Bobby Breton, drums
Tracks
- What Is This Thing Called Love
- Valse Noire
- On Green Dolphin Street
- Seriously
Executive producers Craig and Diane Martin attended Yarlung’s annual meeting in 2017, where Yuko, Del and Bobby played to celebrate the release of the trio’s first CD underwritten and executive produced by Randy Bellous. The Martins knew they wanted to support Yuko further. And with help from David B. Levinson, the Martins underwrote Bernie Grundman’s 45RPM pressing of the first half of this album on vinyl. Please see Yuko Mabuchi Trio’s CD page for more information and liner notes about the entire project. This valiant team has also underwritten Volume 2, which will be released later.
Yuko dedicated this release to the 25th Anniversary of the Los Angeles and Orange County Audio Society, the largest association of audiophiles on the planet, and to the 70th Birthday of Robert H. Levi, our society’s illustrious President and CEO. Thank you Bob Levi, Diane, Craig, David, Yuko, Del and Bobby for giving us so much to celebrate.
If Mabuchi’s playing can be described as tasteful, economical, and lyrical, it should also be noted that her rapid single-note runs are impeccably executed. The performances benefit from an exceptionally realistic recording that stands out for its in-the-room ambience and tonal clarity.
–Jeff Wilson, The Absolute Sound
The youthful Yuko’s jazz performances on the piano are remarkably mature, as are her accompanists on the double bass and drums. …the presence of the recording is uncannily real.
–Neville Roberts, The UK’s Hi-Fi Choice
This live recording is an awe-inspiring work of art. Pianist Yuko Mabuchi is as exciting on recording as she is in person. Here is a production that sparkles with improvisational creativity, energy, and the piano talents of a young and developing super star. This is a soulful CD, combining cultures, like serving grits and gravy with delicious miso soup. This talented lady and her trio are a force of nature that bring musical excellence and energetic excitement to an unforgettable jazz production.
–Dee Dee McNeil
Yuko Mabuchi takes command of both her instrument and the listener’s ears from the first stroke of the album’s opener … the live album is a must-own for piano trio aficionados and jazz lovers of all stripes.
A tremendous highlight of the album is… “On Green Dolphin Street.” Pitched in Bill Evans’ preferred key of E-flat…. Dave Brubeck himself would have applauded the tight interplay of time between one half of the head, presented in a heavy ¾ that alternates sweetly with the straight ‘four-on-the-floor’ 4/4 of the next four bars of the same phrase…. Mabuchi, delicious bassist Del Atkins, and tasty drummer Bobby Breton make it new all over again….
Mabuchi’s right hand is the star of each of her solo flights. Clean, precise, and crisp like forebears Teddy Wilson, Marian McPartland, and Tommy Flanagan, but deeply harmonically and rhythmically inspired like the mentioned Evans…
–Kathryn Ballard Shut, JazzTimes
素晴らしい出来映えに感心しました。元生徒のYUKOちゃんですが、一人のアーティストYUKOの音楽として同業者として聞き入ってしまいました。タッチ、リズム、グルーブ感、全体のダイナミクス、全てにおいて進化しましたね。何よりもピアノが歌っていてハートと音が直結してる感じがします。Bs Drとのコンビネーションやバランスも良く、ライブ盤なのに完成度の高さに感心しました。アレンジもかっこいい!
I am impressed with the wonderful quality of this recording. My former student, now a fully matured young artist, has evolved in every aspect: touch, rhythm, groove feeling, dynamics, everything. The piano is singing and the heart and the sound are directly connected. I was impressed with the high degree of professionalism and expertise captured in this live concert, including the beautiful balance with the drums and bass. Ms. Mabuchi’s arrangements are sophisticated and cool. I can now listen to Yuko Mabuchi as a peer, one musician to another.
–Kunihiro Kameda, Kyoto
Cole Porter: What Is This Thing Called Love
from Cole Porter’s musical Wake Up and Dream premiered by Elsie Carlisle in London in March of 1929. Frances Shelley sang the tune in the Broadway premiere in December of the same year. Famous recordings include those by Billie Holiday, Bill Evans, Ella Fitzgerald, Frank Sinatra, Anita O’Day, Julie London and Wynton Marsalis.
Mark Lehman: Valse Noire
Cincinnati composer and writer Mark Louis Lehman follows some of his compositional heroes, Hindemith, Bartók, Piston and Martin, with music both insightful and intimate. Here Yuko Mabuchi improvises with her trio on Lehman’s opening tune of Valse Noire, originally written for solo piano.
Bronisław Kaper: On Green Dolphin Street
Miles Davis made this tune world famous in his 1958 recording, but Kaper wrote this tune in 1947 for the film Green Dolphin Street. Also recorded by Ahmad Jamal, Oscar Peterson, Bill Evans, Sonny Rollins, Sarah Vaughan, Herbie Hancock, Chick Corea, and a long list of other famous interpreters.
Sara Bareilles: Seriously
Bareilles wrote Seriously for the singer Leslie Odom Jr. for a special session on This American Life. Yuko arranged this captivating tune and its nuances of deep humanity for the Trio. They performed it for the first time in Cammilleri Hall during our Yarlung concert.
Yuko Mabuchi moved to the United States from her native Japan only recently, but when she plays American jazz she speaks the language perfectly. I love Yuko’s sense of rhythm and melody, and her improvising feels like she was born in Detroit or New York City. Her technique reminds me of some of Yuko’s music idols like Oscar Peterson, Herbie Hancock and Monty Alexander. But beyond her talent for traditional jazz, one can also hear flavors of American R&B, Hip-Hop and Blues, which Yuko loved as a teenager. This album’s associate producer and Yarlung special advisor Billy Mitchell describes Yuko’s playing as “funky from the heart,” and he means that as an enormous compliment. Yuko was born in Fukui, on the west coast of Japan, north of Kyoto.
Dr. Antonio Damasio generously invited us back to the Brain and Creativity Institute’s Cammilleri Hall at USC for this concert and recording, where Yarlung recorded our first jazz albums with Sophisticated Lady jazz quartet. The superb concert hall acoustics and the cozy 90 seat size make Cammilleri ideal for all sorts of music but especially nice for an intimate jazz concert like this. If only more jazz clubs sounded like Cammilleri Hall!
–Bob Attiyeh, producer
Arun Shenoy –
A remarkable recording by the Yuko Mabuchi Trio. Mabuchi is an incredibly talent pianist and I love the emotion, precision and feel of her performance. Favorite performance on the piano without a doubt would be “On Green Dolphin Street.” And wow. For the track “Seriously”, a seriously amazing performance, with a top notch bass driven groove that is quite the earworm. Jazz music lovers need to hear this record. Seriously good.
–Arun Shenoy, GRAMMY Nominated Artist, Producer and Songwriter
Robert H. Levi –
The overall performance is delicious and delicate with a strong jazz bass foundation. Yuko is not a brilliant original female piano artist; she is a brilliant original piano artist of all artists. And her musical collaborators Del and Bobby shine with great distinction, bringing depth and elegance to the ensemble.
You live this LP while you listen. Never before have I heard such utter You-Are-There Truthfulness.
–Bob Levi, President, Los Angeles and Orange County Audio Society
Dimitar Kovachev (Dimitri K) –
Great performance and execution. Jazz with a subtle and elegant, positive energy and elusive harmonies, sophisticated lows and sparkling solo piano heights, great dynamics. Jazz trio in a category of its own. Fabulous synergy with the acoustic bass and drums. Great sound.
Eddie Carter –
In listening to Volume One, I marveled at the sound quality of the hall which seems so spacious, yet intimate. Yuko’s approach to each song draws you into the tune she’s playing and the accompaniment by Del and Bobby is almost telepathic. It reminded me of Miles Davis’ second great quintet with Shorter, Hancock, Carter and Williams and how each musician knew what to do without any cues, and instinctively what to play as a soloist or as part of the ensemble. Is this Yarlung’s first live recording? If so, in my humble opinion, it’s one of the best I’ve ever heard and please thank Bob Levi, it was on his recommendation that I ordered the album.
Bob Attiyeh –
Mr. Carter, thank you so much for these glowing words. Fun that you mention the great Miles Davis too. Yuko’s next release, scheduled for spring of 2019, celebrates music by Miles Davis, and we recorded it in beautiful Cammilleri Hall.
This is Yarlung’s first live concert recording where you can hear audience applause. However, we have made a number of live concert recordings including all of the Sophisticated Lady Jazz Quartet albums (also in Cammilleri Hall), Sibelius Piano Trio, Obsidian, James Matheson, Janaki String Trio, Dialoghi, Orion and others. In these earlier instances, however, we asked the audience to hold their applause for a number of seconds so we could release the album without audience noises. Yarlung audiences tend to be very quiet. These are live concert recordings, not concerts for ticketed audiences, so our guests work very hard to keep quiet when we ask them to. We wanted the energy of live performance with the quiet background of these concert halls without audience. In Yuko’s case, we decided to include the audience. I like the results both ways, and we will continue to release albums with and without applause, depending on repertoire.
Not only do we appreciate your review on our website, but we appreciate the review you published in Jazztracks, which you graciously allowed us to host on our Yarlung News webpage as well.
Thank you!
Bob Attiyeh, producer
Ed Greene –
The two Yuko albums (Volume 1 and Volume 2) arrived very quickly and I have thoroughly enjoyed listening to them. In fact, I have played them many times and each time I enjoy them more and more.
Sonically these are some of the finest albums I can remember listening to lately and Yuko’s playing is phenomenal, as are Del and Bobby. I ran across Michael Fremer’s recommendation, as Yuko was a new artist for me, bought the CD on Amazon and then had to have the vinyl version.
I’ve since purchased her other two CD’s and enjoy them as well.
Sincerely,
Ed Greene
Bob Attiyeh –
Thank you so much Ed. For very many of us, Mr. Fremer remains the “acid test” for vinyl, not only for the medium, for for the quality of music pressed into it. We are grateful to you both for your enthusiastic support. Yuko, Del and Bobby join me in sending their thanks.
Sincerely,
Bob
Rick Davis –
I also have a copy of “The Yuko Mabuchi Trio – Volume 1.” That is a very nice recording and was pretty quiet. In general I would have to say you folks know what you’re doing and produce a top-notch product.
Thank you for reaching out and for your Beautiful Recordings.